Architectural acoustics - Setting up the interiors- Parte III
by
Leonardo Scopece and Alberto Ciprian
To get a full acoustic treatment, you must place acoustic components. Often, however, you may choose the wrong type of equipment, obtaining a insufficient or unexpected effects. This is the last one of three articles on the acoustics; it deals with the description of the various component types, analyzing the pros and cons depending on the type of application. Often the best approach starts with a theoretical analysis, based on knowledge of the physical behavior of waves, the positioning of the elements and the verification of this analysis with practical applications. We analyze the surround, holophonic and ambisonic systems. In conclusion we consider some examples of real envirorments: the Rai Auditorium in Turin and the House of Sound at the University of Parma.